Image © copyright Eric Bucholtz 2007, all rights reserved.
I backtracked for a camera on my way to breakfast at Albuquerque’s finest Motel 6. Taken during the great southwest stretch of a cross country road trip south along Route 66 and Interstate 40 west to California then north to Oregon.
Nikon D200, 24mm f/2.8 lens @ 1/250 sec f/8 ISO 100
Image © copyright Eric Bucholtz 2000, all rights
I shot this on an exceptionally photogenic day in Sweden, a day that started out with everything outside covered with frozen fog frost. While visiting the capitol city with my flatmate and Finn friends the sky that was perfectly clear blue in the morning had incredible clouds at dusk.
I didn’t have very fast film, a fast lens, or a lot of light for sharp hand-held photos and didn’t take a tripod with me. I did what my years of shooting cheap and watching MacGuyver taught me: improvise. I had in my backpack a hacky sack beanbag for the occasional time wasting fun and makeshift camera stabilizer. (Dual purpose travel accessories are great space savers!) With the camera strap over my neck I balanced the camera on top of the beanbag on a bridge railing and composed this shot.
Minolta Maxxum 7000i, 35-105mm lens, Fuji
cheap stuff ISO400.
Image copyright © 2000 Eric Bucholtz, all rights reserved.
Vaksala Kyrka near Gränby in Uppsala, Sweden. Minolta Maxxum 7000i 35-105mm lens, cheap Fuji ISO400 35mm film. Camera in *gasP* program exposure mode.
BONUS! See where I shot it from on Google street view. Total mindfreak.
Previously unpublished film photo copyright © 2001 Eric Bucholtz, eB Photography. Saint Augustine, Florida
While meandering Saint Augustine, Florida during my time at port near Jacksonville, the lines and shadows from a balcony with sun high overhead caught my attention. I had a roll of C41 color-process black and white 35mm film in one camera and snapped away.
Previously unpublished photo from Khon Kaen, Thailand night market, February 28, 2002. © Eric Bucholtz, all rights reserved. Minolta X-370 35mm body, 50mm f/1.7 lens, Fuji cheap bulk pack film ISO800.
Previously unpublished 35mm film print from Bluefields, Nicaragua, December 2001.
Abstract detail photo from my flat near Gränby Centrum, Uppsala, Sweden in 2000.
I like acronyms. The category “Previously Unpublished” has a perfectly fitting acronym – PU. Enjoy.
“I need a newer/older / film/digital / manual/automatic camera/lens/computer first.”
This new year has been 3 days -and a few leading up to it last year- of kicks in the pants to get a camera and use it. Not a new one – one within reach. A phone if I have to. Create already. Reminders I find in old film photo prints I keep running into that I had no idea what I was doing when I took most of the shots, but I tried an idea anyway. Reminders I find in the photos of friends very new to photography who are trying their ideas wildly and doing so with great creativity.
The shot above is flawed, flared, and yet is a favorite (from film photography follies in Florida if we’re going to go on with the alliteration). My job at the time relocated me to live on a ship in a tiny town marina outside Jacksonville, Florida. In what has been a trend since my elementary school days I am up awake into the morning hours writing, and did so often in my travels. I had a pair of 35mm Minolta SLRs, a compact tripod, and hours of the night to think. For my first eBay purchase I picked up a light meter to help me judge nighttime and long exposures and began to photograph the ships, marina, and town around me after dark.
I had an idea of how to set the film camera to get correct lighting where I wanted it. I knew a few tips. Most of all I knew that if I wanted to take a photo I’d have to press the shutter release. I’d have to just try.
When I got the prints back from my evening shoot around Jacksonville I was a bit let down that I had been blasted with lens flare. I liked the way the street light looked in the foreground but forgot altogether what might happen with a light source right in the frame shining my way. I shot for 15-30 seconds to soak up more background light and let the lines of people going by blur. This much had worked as planned.
What surprised me was that behind the moving crowd sat a couple along the walkway’s railing. They sat still enough to remain sharp in contrast to the crowd in motion that now appear as streaks. If I had arranged the shot I could have recreated this look easily. They are a happy discovery from a photo made while just tinkering with ideas and playing to motion blur during long exposures, reminders that you never know what you’ll find unless you try.
Go create something.
Shot by Eric Bucholtz with Minolta 7000i and 35-105 lens on the cheapest ISO 400 or 800 35mm film in bulk packs, summer 2001 in Jacksonville, Florida