After picking up a shiny new 6-megapixel digital SLR in 2004 I found myself using less film. Make that near no film at all. I had done my homework, invested in a camera brand / system that offered lenses compatible with my 35mm film equipment as well as the newest digital camera bodies. Experimenting in digital photography was effortless, the results instantaneous. This was a huge boost to my already inquisitive imagination as far as tinkering with ideas, reflections, abstracts go, and made learning manual exposure techniques far, far easier when the results could be previewed on an LCD screen.
This yellow fellow was photographed with slide film for a color photography class study in cross processing. As with so much of my film photography, it sat in boxes & binders… until now.
Between the bokeh of a very unfocused background and the colors of the alternative film processing I ended up with an almost watercolor paint blur of shades behind the flower.
Next time you fire up Instagram, know the odd filters packed in the app have… (dandelion pun!) roots… in old-fashioned film photography.
“I need a newer/older / film/digital / manual/automatic camera/lens/computer first.”
This new year has been 3 days -and a few leading up to it last year- of kicks in the pants to get a camera and use it. Not a new one – one within reach. A phone if I have to. Create already. Reminders I find in old film photo prints I keep running into that I had no idea what I was doing when I took most of the shots, but I tried an idea anyway. Reminders I find in the photos of friends very new to photography who are trying their ideas wildly and doing so with great creativity.
The shot above is flawed, flared, and yet is a favorite (from film photography follies in Florida if we’re going to go on with the alliteration). My job at the time relocated me to live on a ship in a tiny town marina outside Jacksonville, Florida. In what has been a trend since my elementary school days I am up awake into the morning hours writing, and did so often in my travels. I had a pair of 35mm Minolta SLRs, a compact tripod, and hours of the night to think. For my first eBay purchase I picked up a light meter to help me judge nighttime and long exposures and began to photograph the ships, marina, and town around me after dark.
I had an idea of how to set the film camera to get correct lighting where I wanted it. I knew a few tips. Most of all I knew that if I wanted to take a photo I’d have to press the shutter release. I’d have to just try.
When I got the prints back from my evening shoot around Jacksonville I was a bit let down that I had been blasted with lens flare. I liked the way the street light looked in the foreground but forgot altogether what might happen with a light source right in the frame shining my way. I shot for 15-30 seconds to soak up more background light and let the lines of people going by blur. This much had worked as planned.
What surprised me was that behind the moving crowd sat a couple along the walkway’s railing. They sat still enough to remain sharp in contrast to the crowd in motion that now appear as streaks. If I had arranged the shot I could have recreated this look easily. They are a happy discovery from a photo made while just tinkering with ideas and playing to motion blur during long exposures, reminders that you never know what you’ll find unless you try.
Go create something.
Shot by Eric Bucholtz with Minolta 7000i and 35-105 lens on the cheapest ISO 400 or 800 35mm film in bulk packs, summer 2001 in Jacksonville, Florida
I love eBay shopping. Random, unpredictable, spontaneous, competitive shopping. After getting a gem of a low tech camera – the Holga – I looked around on eBay for expired film. Wacky color shifts and even more unpredictable photo outcome. Here’s a sampling of the slide and print film from the mid 1990s that should have some fun outcome!
In the mean time I’ve posted up a simple gallery of the Holga 35mm stuff HERE.